The Voyeur, based on the famous erotic novel (L’uomo che guarda) by Alberto Moravia, tells the story of Eduardo "Dodo," who in public is a professor of French literature but in private a desperately lovesick cuckold, married to the ever-more-elusive Silvia. His life shattered, he becomes an onlooker rather than a participant in life. Those around him, though, seem to be living life to the fullest: his bedridden father has a scantily clad nurse and a series of lady friends; his students have unending sexual fun, sometimes in his presence; and even the public beach has become an orgy ground. Through a series of small revelations, Dodo slowly comes to realize who his rival is. The discovery, rather than destroying his marriage, strengthens and renews it.Erotic filmmaker Tinto Brass is here at the height of his powers, crafting an unforgettable fable of sexual desire. The music by Riz Ortolani is seductive, the sets and designs are sumptuous, and the photography is as stunning Hitchcock’s. The lead performers, Francesco Casale and Katarina Vasilissa (a Polish photomodel) are both eye-catching. Cult Epics hereby presents the Italina Director s Cut with optional English subtitles.
United Kingdom released, Blu-Ray/Region B : it WILL NOT play on regular DVD player, or on standard US Blu-Ray player. You need multi-region Blu-Ray player to view it in USA/Canada: LANGUAGES: Japanese ( Dolby Digital Stereo ), Japanese ( DTS-HD Master Audio ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Documentary, Interactive Menu, Making Of, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Director Yojiro Takita and writer Kundo Koyama examine the rituals surrounding death in Japan with this tale of an out-of-work cellist who accepts a job as a ‘Nokanashi’ or ‘encoffineer’ (the Japanese equivalent of an undertaker) in order to provide for himself and his young wife. Daigo Kobayashi (Masahiro Motoki) is a talented musician, but when his orchestra is abruptly disbanded, he suddenly finds himself without a source of steady income. Making the decision to move back to his small hometown, Daigo answers a classified ad for a company called ‘Departures’, mistakenly assuming that he will be working for a travel agency. Upon discovering that he will actually be preparing the bodies of the recently deceased for their trip to the afterlife, Daigo accepts the position as gatekeeper between life and death and gradually gains a greater appreciation for life. But while Daigo’s wife and friends universally despise his new line of work, he takes a great amount of pride in the fact that he is helping to ensure that the dead receive a proper send-off from this state of being. This thought-provoking look at life and death was Japan’s submission for the Oscars in 2008. SCREENED/AWARDED AT: Oscar Academy Awards, …Departures (2008) ( Okuribito )
Black comedy lampoons modern Japanese home life. Shigeyuki is a teenager who is doing poorly in school, just as he should be preparing for his college entrance exams. His father, a typical driven salaryman, is angry that Shigeyuki does not perform as well as his older brother. Father hires a tutor to help the teen.
The presence of the tutor in the home changes everything. Voted the best film of 1983 by Japanese critics.
Daniel Auteuil (Manon of the Spring) stars as Stephane, the curiously diffident co-owner of an exclusive violin brokerage and repair shop. A brilliant technician, Stephane can make any instrument live up to its promise, yet he himself is emotionally remote and disconnected from passionate experience. His partner, Maxime (André Dussollier), lacks Stephane’s gifts but is rich in personality and desire. When Maxime’s new lover, a violinist named Camille (Emmanuelle Béart), is drawn to Stephane’s still waters, he is briefly moved, thus destroying the fragile, symbiotic relationship between all three individuals."Two Thumbs Up!" – Siskel & Ebert "[it] has the intensity and delicacy of a great short story." – Roger Ebert, Chicago Sun-Times"superb…haunting…full of unexpected beauty, richness and feeling" – Hal Hinson, Washington PostWINNER – César Award, Best DirectorWINNER – César Award, Best Supporting ActorWINNER – Venice Film Festival, FIPRESCI PrizeWINNER – Venice Film Festival, Silver LionWINNER – London Critics Circle Film Awards, Foreign Language Film of the YearWINNER – European Film Awards, Best ActorWINNER – David di Donatello Award, Best Foreign Actor, Best Foreign ActressWINNER – David di Donatello Award, Best Foreign FilmWINNER – French Syndicate of Cinema Critics, Best Film
In Paris, a city of a thousand faces, everyone has a story. From Cédric Klapisch the award-winning writer/director of L AUBERGE ESPANGOLE comes a deliciously intimate new valentine to The City Of Lights featuring an all-star cast that includes Oscar®-winner Juliette Binoche (THE ENGLISH PATIENT), Romain Duris (THE BEAT THAT MY HEART SKIPPED), Mélanie Laurent (INGLORIOUS BASTERDS) and François Cluzet (TELL NO ONE). It s the story of a young Moulin Rouge dancer (Duris) awaiting a heart transplant, his single-mother/social worker sister (Binoche), and their rediscovery of the life, laughter and love that hides within every balcony, apartment window, street corner and market stall. These are the stories of the middle class and bourgeois, immigrants and students, fashion models and homeless, and all the lovers and strangers whose paths could only cross and whose worlds are about to change forever in PARIS.
A gripping, edgy drama about identity and creativity, BALLROOM tells the story of reclusive artist Rene Bernard, who lives and works in an abandoned ballroom with his male lover. Increasingly out of synch with the world around, Rene begins to experience delusions involving two spooky clowns he once saw in a magazine. Neither hard work nor leisure-time activities offer relief from the torment of his hallucinations until one day he comes face to face with–himself. Directed by Xavier Brillat, Patrick Mario Bernard and Pierre Trividic (The Case of Howard Phillips Lovecraft), BALLROOM is an atmospheric exploration into the dark recesses of the mind.
This Academy Award nominated film is Shakespearian in its scope and themes – revenge, loyalty, hope and despair – AJAMI draws us into the lives of two brothers fearing assassination; a young refugee working illegally to cover his mother s medical expenses; a cop obsessed with finding his missing brother. Through this dramatic collision of different worlds, we witness cultural and religious tensions simmering beneath the surface and the tragic consequences of enemies living as neighbors. Recommended for those who enjoyed Crash or Traffic.
A phantom sniper methodically assassinates key figures in a South Korean intelligence investigation. Special Agent Ryu and his partner, Lee, suspect North Korea’s most lethal female operative, Hee. When a security breach prompts the theft of high-tech liquid explosive, CTX, from South Korean authorities, Ryu and Lee are certain there’s a mole within their ranks. Deceptions are uncovered, loyalties questioned and two nations threatened in the thriller that smashed the Korean box office record set by TITANIC!
When his orchestra disbands, Daigo Kobayashi moves back to his hometown and takes a job preparing corpses for burial. Too embarrassed to admit his new career to his family, Daigo keeps his profession a secret, until he’s faced with the death of someone close to him. Academy Award Winner for Best Foreign Film.
Tantalizing and sexy, cult director Eliseo Subiela’s latest film explores the tantric possibilities of sexual imaginations and awakenings. This thoughtful film delves into mysticism and spirituality. When 19-year-old Eloy sleepwalks and crashes through the roof of a beautiful woman, Elvira, he discovers the tantric and therapeutic powers of the Kama Sutra of which she is an expert.
In 1966, the Daiei Motion Picture Company the studio behind Akira Kurosawa s RASHOMON and the Gamera series released a trilogy of films that combined elements of the popular daikaiju (giant monster) and jidaigeki (period drama) genres. Set during Japan’s Warring States era, the Daimajin movies told the story of Majin, a giant statue of an angry god that would come to life in times of desperation to punish evildoers. But when Majin s rage was unleashed, it could be directed at both the wicked and innocent, alike. Acclaimed for their serious tone and spectacular special effects, DAIMAJIN, RETURN OF DAIMAJIN and the rarely-seen DAIMAJIN STRIKES AGAIN present a unique take on a monster who is both savior and devil. CONTENTS: 1. DAIMAJIN 2. RETURN OF DAIMAJIN 3. DAIMAJIN STRIKES AGAIN Bonus Features All New English language track for DAIMAJIN STRIKES AGAIN
Set in 1636, the second Manchurian invasion of Korea rages chaos, as villages are attacked by overpowering Manchurian soldiers. The Manchurians kidnap childhood sweethearts, Ja-in and Seo-Goon on their wedding day. In an effort to save his sister, Ja-in s brother Nam-Yi sets out to defeat the enemy and save his sister and other Korean victims with only 1 bow.English SubtitlesEnglish Dub
Acclaimed Italian director Marco Bellocchio (Fists in the Pocket; Devil in the Flesh) delivers his boldest work yet, an audacious, visually stunning film that the Village Voice calls a stylistic knockout about fascist dictator Benito Mussolini and the woman he loved, scorned, denounced and then wrote out of history. Rising actor Filippo Timi is magnetic in a dual role as both the steamrolling dictator and the son he refuses to acknowledge. And Giovanna Mezzogiorno (Love In The Time Of Cholera) delivers a career-making, award-winning performance as Ida Dalser, the lover who wouldn t go away. Bellocchio is a master of eroticism and their scenes of abandon are so powerful and reckless (The Hollywood Reporter called them steamy ), it s easy to understand why Dalser could never give him up. His rise to power and her descent into an insane asylum are tragic counterpoints in a doomed romance. Dalser may have been written off at the time, but Bellocchio and Mezzogiorno allow her a final, unexpected triumph in this cinematic masterwork.
The Voyeur, based on the famous erotic novel (L’uomo che guarda) by Alberto Moravia, tells the story of Eduardo "Dodo," who in public is a professor of French literature but in private a desperately lovesick cuckold, married to the ever-more-elusive Silvia. His life shattered, he becomes an onlooker rather than a participant in life. Those around him, though, seem to be living life to the fullest: his bedridden father has a scantily clad nurse and a series of lady friends; his students have unending sexual fun, sometimes in his presence; and even the public beach has become an orgy ground. Through a series of small revelations, Dodo slowly comes to realize who his rival is. The discovery, rather than destroying his marriage, strengthens and renews it.Erotic filmmaker Tinto Brass is here at the height of his powers, crafting an unforgettable fable of sexual desire. The music by Riz Ortolani is seductive, the sets and designs are sumptuous, and the photography is as stunning Hitchcock’s. The lead performers, Francesco Casale and Katarina Vasilissa (a Polish photomodel) are both eye-catching. Cult Epics hereby presents the English Producer s Cut.
Rosalba’s life is about to change. When the busy housewife (Licia Maglietta) is accidentally left behind while on vacation with her family, she decides to take a holiday on her own in ravishing Venice. Charmed by the city and her newfound freedom, she extends her stay, finding a job in a flower shop, renting a room from a wistful waiter (Bruno Ganz) whom she befriends, and rediscovering her love of playing the accordion. But her solo sojourn does not sit well with her tyrannical husband (Antonio Catania), who recruits an amateur detective (Giuseppe Battiston) to bring his wife back home. WillRosalba return to her old life or embrace the exciting possibilities of a new one? Bread & Tulips is the internationally acclaimed romantic comedy that reminds you it’s never too late to bloom.
It is summer, and thirty-year-old Antoine is forced to leave the city to return to his family in Provence. His father is sick, so he must assume the lifestyle he thought he had shed driving the family grocery cart from hamlet to hamlet, delivering supplies to the few remaining inhabitants. Accompanied by Claire, a friend from Paris whom he has a secret crush on, Antoine gradually warms up to his experience in the country and his encounters with the villagers, who initially seem stubborn and gruff, but ultimately prove to be funny and endearing. Ultimately, this surprise French box-office hit is about the coming-of-age of a man re-discovering life and love in the countryside.
Ellie, a 12-year-old immigrant girl from Israel, is lonely and homesick. Life brightens when she meets Thuy, a Vietnamese refugee her age. Trust slowly builds as the two teach each other about life in America. As Ellie and Thuy become inseparable, they eventually hurt and betray each other. Ellie must give up her most prized possession, in order to save their friendship. Based on the filmmaker’s own experience, Foreign Letters is a story about prejudice, poverty, shame, and the power of friendship to heal us. The film features the music of iconic Israeli musician Chava Alberstein, who was the director’s favorite musician when her family immigrated to the US in 1982.